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  1. by on - Discussion

    The author outlines the development and intellectual underpinnings of the Dibner Award-winning exhibition Split + Splice: Fragments from the Age of Biomedicine (Medical Museion, 2009). Deep connections between biotechnologies, technologies of the self, and the technology that is an exhibition are examined.

  2. by on - Discussion

    This article focuses on the development of the displays and the content of the Vienna Museum of Technology as a whole, and on new educational approaches in cooperation with schools in particular.

  3. by on - Discussion

    This article is about the 2008 temporary Rijksmuseum Boerhaave exhibition Quest for Absolute Zero. It was the first major project aimed at broader target groups and proved to be a very useful experience in the process of renewing the permanent exhibition.

  4. by , , , on - Discussion

    This article brings artistic and curatorial voices to reflect on the meaning of four major new art commissions in Medicine: The Wellcome Galleries. Curator of Art Collections, Katy Barrett, talks with artists Eleanor Crook, Marc Quinn, and Studio Roso.

  5. by , on - Obituary

    Obituary of Brian Bracegirdle

  6. by , on - Obituary

    Frank Greenaway, who died at the age of 95 in June 2013, was a Keeper and manager at the Science Museum from the early post-war years to the era of Margaret Thatcher. He stamped his own character on the Museum and was a significant historian of chemistry and of science more broadly.

  7. by , , on - Research

    In this article we go behind the scenes in the production of the Science Museum’s Oramics to Electronica: Revealing Histories of Electronic Music exhibition (2011–2016) to examine its genesis and reflect upon its implications.

  8. by on - Research

    This article analyses the changing perceptions of European industrial museums as expressed in the reports written by the curators, directors and trustees of the New York Museum of Science and Industry between 1927 and 1937.

  9. by , , on - Research

    We reflect upon the way that prosthetic users have been represented in displays at the Royal College of Surgeons of England and National Museums Scotland. In particular, we assess how far user/patient voice balances clinical/technical narratives.

  10. by on - Review

    A review of the award-winning performance piece by Mat Fraser, exploring how the kaleidoscopic juxtaposition of perspectives and communication, from lecture to rap, creates perhaps the most direct challenge to medical museums ever posed.

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