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Moments of danger
This article takes an exhibition I co-curated for the Science Museum and National Science and Media Museum as the starting point for a reflection on the relationships between neoliberal politics, the histories of photography, and the social meanings of science and technology.
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Location, location: a polemic on photographs and institutional practices
This essay explores the ambiguous status of photographs in museums and the impact of institutional thought-landscapes on that status. Which photographs are understood as ‘important’ and thus collectable and which are not, and under what conditions?
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Contexts for photography collections at the National Media Museum
In 2016 the National Media Museum transferred parts of its photographic collections to the Victoria and Albert Museum. This article examines the reactions to this decision to understand what it can tell us about public perceptions of the role of museums, and places the transfer in the wider contexts of sustainable collecting practices, economic pressures and local circumstances.
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Information age? The challenges of displaying information and communication technologies
This article explores the challenges of displaying the history of information and communications in a museum environment, based on Information Age, the Science Museum’s new permanent gallery.
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Cosmonauts: Birth of an Exhibition
This paper presents the thinking behind Cosmonauts: Birth of the Space Age, relating it to previous Science Museum space exhibitions and to new scholarship on Russia’s space exploration. It shows also the exhibition’s dependency on curatorial and design team dialogue.
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The language of Electricity: Jan Hicks in conversation with Bill Morrison
This in-conversation piece reveals the nature, rationale and context of the recent collaboration between film artist Bill Morrison and the Museum of Science and Industry for the exhibition Electricity: The spark of life. The development of Morrison’s art installation, Electricity, had an impact on the thinking processes and practices of both artist and curator, producing new shared interpretations of electrical energy and power.
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Festschrift: Ways of curating: introduction to a mini-festschrift in honour of Robert Bud
Introduction to a mini-festschrift in honour of Robert Bud
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Artist interviews – new art for Medicine: The Wellcome Galleries
This article brings artistic and curatorial voices to reflect on the meaning of four major new art commissions in Medicine: The Wellcome Galleries. Curator of Art Collections, Katy Barrett, talks with artists Eleanor Crook, Marc Quinn, and Studio Roso.
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Museums theme – Adventures in Museology: category building over a century, and the context for experiments in reinvigorating the Science Museum at the turn of the twenty-first century
Acting as an introduction to articles in this issue on a museums theme, this paper discusses the long-term history of science museums and the conjuncture of the late twentieth century which precipitated innovations in various science museums described in the collection.
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Museums theme – Quest for Absolute Zero: A Human Story about Rivalry and Cold
This article is about the 2008 temporary Rijksmuseum Boerhaave exhibition Quest for Absolute Zero. It was the first major project aimed at broader target groups and proved to be a very useful experience in the process of renewing the permanent exhibition.