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A statistical campaign: Florence Nightingale and Harriet Martineau’s England and her Soldiers
An essay on the making of England and her Soldiers, a book written by Harriet Martineau and based on the statistical work of Florence Nightingale.
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Zygalski sheets: Polish codebreaking and the role of reconstruction in the Top Secret exhibition at the Science Museum
A reflection on reconstructing Zygalski sheets, a manual grid-based system used by the Polish Cipher Bureau and Bletchley Park to decrypt German Enigma cipher messages, for the Top Secret exhibition at the Science Museum Group from 2019 to 2022.
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Ventriloquised voices: the Science Museum and the Hartree Differential Analyser
This paper proposes the analogy of ventriloquism as a way of extending the discussion about how objects speak and are used to tell different stories to audiences in museums as ‘material polyglots’. It explores how the Science Museum has changed the voices, stories, and physical and instrumental functions of a particular object – the ‘Trainbox’ version of the Douglas Hartree’s Differential Analyser – since it was collected in 1949.
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AIDS memorials from obituaries to artworks – a photo essay
Based on the online repository AIDSmemorial.info, this essay highlights the diversity of AIDS memorials worldwide by defining twenty categories, reflecting on their origins and evolution as well as attempts to preserve this cultural heritage.
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‘Organising Sound’: how a research network might help structure an exhibition
In 2015, the Science Museum, with the University of Nottingham and Royal College of Music, arranged three workshops to explore potential themes and contents for future exhibitions about science, technology and music. This article reports and reflects on the proceedings.
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Wounded – an exhibition out of time
Calling on the Science Museum’s First World War exhibition Wounded: Conflict, Casualties and Care, this article outlines the challenges of curating a coherent display within such a vast context. It also explores how the narrative and interpretive approaches taken were influenced by an earlier, unrealised proposal – one whose bold concept was reflected in the rewarding and sometimes unexpected qualities that emerged in the final exhibition.
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The Whitworth: a place for Industry and Art
Informed by the ‘SMG Research Conference 2019: The Place of Industry’, this article reflects on the Whitworth’s history; from its founding principles to its new mission and vision to explore the continuing debates surrounding the relationship between art and industry.
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‘Something simple and striking, if not amusing’ – the Freedom 7 special exhibition at the Science Museum, 1965
The Mercury capsule Freedom 7 was displayed at the Science Museum in 1965–66. This was well documented through photographs in addition to textual documents. This paper proposes an analysis of the exhibition in the light of these records.
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Misbehaving Bodies: exhibiting illness
The essay explores the curation of Misbehaving Bodies: Jo Spence and Oreet Ashery, an exhibition at Wellcome Collection. Bringing together two artists who explore illness narratives, the essay explores how the exhibition expanded on Wellcome Collection’s ambitions to challenge how people think and feel about health.
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Watt’s workshop: craft and philosophy in the Science Museum
A close examination of James’ Watt’s workshop, preserved in the Science Museum’s collections since 1924 and redisplayed in 2012, suggests a richer, more nuanced interpretation of his contribution to Britain’s Industrial Enlightenment as both philosopher and practical maker.