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Tacita Dean: LANDSCAPE, PORTRAIT, STILL LIFE
Review
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Review: More than colours (or why some Austrian school children might not want to eat red Gummy Bears anymore)
What is colour and how can science be used to investigate it? An innovative family-learning hands-on exhibition at wissens.wert.welt (a small museum in Carinthia, Austria) allows children, teenagers and adults to explore colour using physics, chemistry, biology and art history.
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Review: Fairfield Govan: visiting a future heritage space
This article considers the innovative approach that Fairfield has adopted as a heritage centre, office-space and working ship fabrication yard, on the banks of the River Clyde in Glasgow.
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Review: Scholar, courtier, magician: the lost library of John Dee (Royal College of Physicians, 18 January–29 July 2016)
Review of the exhibition Scholar, courtier, magician: the lost library of John Dee at the Royal College of Physicians
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Review: Ships, Clocks & Stars: The Quest for Longitude
A review of the Ships, clocks and stars: the quest for longitude exhibition at the National Maritime Museum, Greenwich, London.
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Review: The Return of Curiosity, by Nicholas Thomas
Review of The Return of Curiosity, by Nicholas Thomas
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Review: Science and Technology galleries at National Museums Scotland
Review: Science and Technology galleries at National Museums Scotland
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A museum by the people for the people? A review of St Fagans National Museum of History’s new galleries
Review: A museum by the people for the people? A review of St Fagans National Museum of History’s new galleries
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Review: Behind the Exhibit: Displaying Science and Technology at the World’s Fairs and Museums in the Twentieth Century
Review: Behind the Exhibit: Displaying Science and Technology at the World’s Fairs and Museums in the Twentieth Century
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‘Everything passes, except the past’: reviewing the renovated Royal Museum of Central Africa (RMCA)
This article describes the author’s impressions of the new Royal Museum of Central Africa gallery. It discusses the successes and failures of the project, as well as its implications for UK museums.