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  1. by on - Editorial

    Editorial for special issue: 'Curating Medicine'

  2. by on - Discussion

    In response to Robert Bud’s historical inquiry of applied science, this paper discusses whether it has been adopted in France. I argue that although the term was occasionally used in France it has never been successful because of the prestige of arts in the encyclopaedic movement.

  3. by on - Research

    This article analyses the exhibition and reception of Tropical Africa at the 1924–25 British Empire Exhibition, drawing attention to affect, the senses, and spatiality. It emphasises the need to look beyond curatorial intent and consider the multiplicity of potential experiences within World’s Fairs.

  4. by on - Object focus

    In 1946 the Giustiniani Medicine Chest came into the Science Museum Collection having originally been bought in Italy in 1924 by an agent of Sir Henry Wellcome, for his medical collection. This article assesses its provenance and history.

  5. by on - Research

    In 1576 a plague epidemic inflicted physical and psychological wounds on the community of Mantua. This article examines the role of processions in healing those wounds and discusses the programme of processions organised by the city’s health office in conjunction with religious groups including Mantua’s confraternities.

  6. by on - Book review

    Book review: Higher and Colder: A History of Extreme Physiology and Exploration, The University of Chicago Press, 2019, by Vanessa Heggie

  7. by , on - Research

    Mind-Boggling Medical History is a card game designed to introduce medical history to new and non-traditional audiences for the subject, and to nurses in particular.

  8. by on - Research

    The essay explores the curation of Misbehaving Bodies: Jo Spence and Oreet Ashery, an exhibition at Wellcome Collection. Bringing together two artists who explore illness narratives, the essay explores how the exhibition expanded on Wellcome Collection’s ambitions to challenge how people think and feel about health.

  9. by on - Discussion

    The author outlines the development and intellectual underpinnings of the Dibner Award-winning exhibition Split + Splice: Fragments from the Age of Biomedicine (Medical Museion, 2009). Deep connections between biotechnologies, technologies of the self, and the technology that is an exhibition are examined.

  10. by , , , on - Discussion

    This article brings artistic and curatorial voices to reflect on the meaning of four major new art commissions in Medicine: The Wellcome Galleries. Curator of Art Collections, Katy Barrett, talks with artists Eleanor Crook, Marc Quinn, and Studio Roso.

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