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This article describes the author’s impressions of the new Royal Museum of Central Africa gallery. It discusses the successes and failures of the project, as well as its implications for UK museums.
This paper presents the thinking behind Cosmonauts: Birth of the Space Age, relating it to previous Science Museum space exhibitions and to new scholarship on Russia’s space exploration. It shows also the exhibition’s dependency on curatorial and design team dialogue.
This paper investigates how the development of new contacts and partnerships has contributed not only to the loan of material of historic significance to the Science Museum’s exhibition, but more broadly changes perceptions about Russia and its space programme in the western world.