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  1. by on - Research

    The Mercury capsule Freedom 7 was displayed at the Science Museum in 1965–66. This was well documented through photographs in addition to textual documents. This paper proposes an analysis of the exhibition in the light of these records.

  2. by , , , , on - reflections on research

    The histories of use of the objects in museum collections, and the unrecorded skills of their operation, have posed pressing research questions for museum people and university scholars alike. This symposium drew together different perspectives on this emerging area of study.

  3. by on - Research

    This article analyses the 1935 Science Museum Noise Abatement exhibition in order to draw wider conclusions about technological sound and the museum and to make an argument in favour of hearing museum sound historically.

  4. by , , on - Discussion

    The Energise gallery at the National Museum of Scotland explores the sources, generation, distribution and use of energy and questions how science and technology transform how we power our lives. This article details three objects around which a focus on personal stories was adopted.

  5. by on - Discussion

    In 2016 the National Media Museum transferred parts of its photographic collections to the Victoria and Albert Museum. This article examines the reactions to this decision to understand what it can tell us about public perceptions of the role of museums, and places the transfer in the wider contexts of sustainable collecting practices, economic pressures and local circumstances.

  6. by on - Editorial

    Editorial Issue 07

  7. by , , , on - Research

    This paper contributes to a critical understanding of current language and discourses of participatory and co-creative practices, through a case study of a large, permanent exhibition development – the Science Museum's Information Age gallery – which opened in 2014.

  8. by on - Research

    This paper examines presentation of the material culture of graphene in the Wonder Materials exhibition by looking at ten of the objects on display, exploring the role they play in making the challenging nanoscience topic of the exhibition engaging for visitors.

  9. by on - Discussion

    This essay explores the ambiguous status of photographs in museums and the impact of institutional thought-landscapes on that status. Which photographs are understood as ‘important’ and thus collectable and which are not, and under what conditions?

  10. by on - Discussion

    This article takes an exhibition I co-curated for the Science Museum and National Science and Media Museum as the starting point for a reflection on the relationships between neoliberal politics, the histories of photography, and the social meanings of science and technology.

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