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Contexts for photography collections at the National Media Museum
In 2016 the National Media Museum transferred parts of its photographic collections to the Victoria and Albert Museum. This article examines the reactions to this decision to understand what it can tell us about public perceptions of the role of museums, and places the transfer in the wider contexts of sustainable collecting practices, economic pressures and local circumstances.
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da Vinci Quincentenary Exhibition of 1952
This article tells the story of the Science Museum’s role in an exhibition at the Royal Academy, London, in 1952, to celebrate the 500th anniversary of the birth of Leonardo da Vinci, and in particular in displaying mechanical models based on Leonardo’s drawings.
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Doping at the Science Museum: the conservation challenge of doped fabric aircraft in the Flight gallery
A review of the materials used to make doped fabric aircraft, the Science Museum’s collection and the conservation challenge of such objects.
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‘Great ease and simplicity of action’: Dr Nelson’s Inhaler and the origins of modern inhalation therapy
This paper reconstructs the history and reception of the Dr Nelson’s Inhaler as a means of understanding the growth of inhalation therapy in the mid-nineteenth century.
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Editorial
Editorial Issue 07
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Flying Scotsman: modernity, nostalgia and Britain’s ‘cult of the past’
This article explores the rescue and restoration of the world famous steam locomotive Flying Scotsman in 1963 and explores wider questions about what it means to preserve cultural objects and how, if at all, their authenticity can be preserved.
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Functionless
Displays of instruments in science museums are closer to those of decorative arts artefacts than to the presentation of real functional and practical objects. This article offers a critique and suggests a path forward to go beyond functionless objects.
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Giovanni Canestrini’s models of Leonardo da Vinci’s friction experiments
Among the many mechanical models based on Leonardo da Vinci’s drawings, several purport to illustrate his experiments on friction. This article traces the history of these models and examines them critically in the light of recent research into Leonardo’s studies of friction.
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The provenance and context of the Giustiniani Medicine Chest
In 1946 the Giustiniani Medicine Chest came into the Science Museum Collection having originally been bought in Italy in 1924 by an agent of Sir Henry Wellcome, for his medical collection. This article assesses its provenance and history.
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Location, location: a polemic on photographs and institutional practices
This essay explores the ambiguous status of photographs in museums and the impact of institutional thought-landscapes on that status. Which photographs are understood as ‘important’ and thus collectable and which are not, and under what conditions?