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  1. by on - Research

    This essay draws on the Science Museum’s pictorial collections, in particular the excellent holdings of astronomical and meteorological images, in order to look again at the construction of objectivity, this time from the point of view of making and reproducing images.

  2. by , on - Research

    This article considers the role of enthusiast experts as key actors within the ecology of public heritage, helping to keep stored museum collections ‘alive’ through their unique research practices, which we argue are ultimately beneficial across the wider museum sector.

  3. by on - Discussion

    This article takes an exhibition I co-curated for the Science Museum and National Science and Media Museum as the starting point for a reflection on the relationships between neoliberal politics, the histories of photography, and the social meanings of science and technology.

  4. by on - Discussion

    Acting as an introduction to articles in this issue on a museums theme, this paper discusses the long-term history of science museums and the conjuncture of the late twentieth century which precipitated innovations in various science museums described in the collection.

  5. by on - Discussion

    This article focuses on the development of the displays and the content of the Vienna Museum of Technology as a whole, and on new educational approaches in cooperation with schools in particular.

  6. by on - Research

    This article discusses the provision of spectacles under the NHS scheme in Britain from 1946-86. It reveals there was no explicit consideration of consumer choice or fashion and argues that this limited design across the British optical industry.

  7. by on - Research

    In 1761–62, King George III commissioned a group of philosophical instruments from the London instrument-maker George Adams. This article traces Adams’s techniques of borrowing and adapting printed instrument designs, as he produced this spectacular collection.

  8. by on - Research

    This article reappraises the role of a now almost-forgotten exhibition of 1876 in building a vision for the permanent Science Museum, which was established nine years later. It argues that the exhibition promoted two apparently contrasting narratives about science used by founders, funders and lobbyists and circulating in the wider public sphere.

  9. by on - Review

    A review of the Ships, clocks and stars: the quest for longitude exhibition at the National Maritime Museum, Greenwich, London.

  10. by on - Review

    Review of the exhibition Scholar, courtier, magician: the lost library of John Dee at the Royal College of Physicians

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