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  1. by on - Discussion

    The author outlines the development and intellectual underpinnings of the Dibner Award-winning exhibition Split + Splice: Fragments from the Age of Biomedicine (Medical Museion, 2009). Deep connections between biotechnologies, technologies of the self, and the technology that is an exhibition are examined.

  2. by on - Discussion

    This article focuses on the development of the displays and the content of the Vienna Museum of Technology as a whole, and on new educational approaches in cooperation with schools in particular.

  3. by on - Discussion

    This article is about the 2008 temporary Rijksmuseum Boerhaave exhibition Quest for Absolute Zero. It was the first major project aimed at broader target groups and proved to be a very useful experience in the process of renewing the permanent exhibition.

  4. by , on - Research

    This research investigates how public participation in European science centres and museums is related to the emerging role of museums in science policy.

  5. by on - Discussion

    This article outlines some of the considerations, challenges, conflicts and opportunities offered by undertaking research as part of a pan-European and interdisciplinary research project. New working methods and considerations led to new conclusions on the History of Nuclear Energy and Society (HoNESt) project.

  6. by on - Research

    The article explores the new way of seeing enabled by cycling in relation to the experience and temporality of late nineteenth century modernity, questioning how this influenced photographers’ approach to the representation of what was, effectively, a modern, moving, gaze.

  7. by on - Research

    This article analyses E C Large’s novel Dawn in Andromeda (1956), using it to explore the cultural history of the wireless. In the 1930s, the wireless figured as an instrument of fannish participation alongside participatory writing practices. By the 1950s it had become a disappointment.

  8. by on - Discussion

    Old weather: citizen scientists in the 19th and 21st centuries

  9. by on - Discussion

    This paper uses a discussion of the rationale of the selection for typefaces for a book on the subject of technologies and Romanticism to consider the extent to which typefaces might themselves be usefully considered to be technologies of romance.

  10. by on - Research

    For the instrument makers of the early-nineteenth century there was no distinction between scientific and popular instruments. Exploring the case of the optician Phillip Carpenter, this article will address three popular media formats — the 1817 Kaleidoscope, 1821 Phantasmagoria Lantern and 1827 Microcosm.

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