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  1. by , on - Research

    This research investigates how public participation in European science centres and museums is related to the emerging role of museums in science policy.

  2. by , , , on - Discussion

    This article brings artistic and curatorial voices to reflect on the meaning of four major new art commissions in Medicine: The Wellcome Galleries. Curator of Art Collections, Katy Barrett, talks with artists Eleanor Crook, Marc Quinn, and Studio Roso.

  3. by , on - Obituary

    Frank Greenaway, who died at the age of 95 in June 2013, was a Keeper and manager at the Science Museum from the early post-war years to the era of Margaret Thatcher. He stamped his own character on the Museum and was a significant historian of chemistry and of science more broadly.

  4. by on - Discussion

    This article discusses the concept of ‘heroism’ in relation to science, medicine and technology. It unpicks the complexities of the concept and discusses its implications for historians of science and museum professionals.

  5. by on - Research

    This article analyses the changing perceptions of European industrial museums as expressed in the reports written by the curators, directors and trustees of the New York Museum of Science and Industry between 1927 and 1937.

  6. by on - Review

    A review of the award-winning performance piece by Mat Fraser, exploring how the kaleidoscopic juxtaposition of perspectives and communication, from lecture to rap, creates perhaps the most direct challenge to medical museums ever posed.

  7. by on - Review

    What is colour and how can science be used to investigate it?  An innovative family-learning hands-on exhibition at wissens.wert.welt (a small museum in Carinthia, Austria) allows children, teenagers and adults to explore colour using physics, chemistry, biology and art history.

  8. by on - Review

    Review: Science and Technology galleries at National Museums Scotland

  9. by on - Book review

    Book review

  10. by on - Review

    What do we want the content of a review section to be when the horizons and sources of historical content are broadening, and the constraints of the format are open?

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