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The birth of a collection in Milan: from the Leonardo Exhibition of 1939 to the opening of the National Museum of Science and Technology in 1953
The article analyses the history of the collection of Leonardo da Vinci historical models, focusing on two episodes: the 1939 Leonardo Exhibition where a first group of models was created; and the 1952 celebrations, when a new set of models was built to be displayed in the Museo Nazionale della Scienza e della Tecnica, which opened the following year.
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The Cosmonauts challenge
This paper investigates how the development of new contacts and partnerships has contributed not only to the loan of material of historic significance to the Science Museum’s exhibition, but more broadly changes perceptions about Russia and its space programme in the western world.
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‘The whole exhibition becomes the stage…’ – a journey through time by children for children as a new approach to peer learning
This paper presents an account of a project that the Museum of Electricity and Life implemented to provide educationally disadvantaged children with opportunities to participate in cultural life and help them to develop new competences. The children accompanied their peer group as travel guides through the history of electricity. In the process they slipped into different roles and imparted their knowledge through short theatrical performances.
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Thinking things through: reviving museum research
How can invigorating research be reseeded in science museums? I believe that their investigative agendas can be rejuvenated through a focus on material culture, approached as authentic, singular opportunities for heightened aesthetic delving, and this marshalled through a programmed range of experiences, intelligences and disciplines.
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Towards a more sonically inclusive museum practice: a new definition of the ‘sound object’
What if sounds were museum objects? Via an experimental curatorial practice, the author proposes a revised definition of the 20th century musical term ‘sound object,’ proposing it as the basis for a museological conception of sounds as heritage.
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Turning energy around: an interactive exhibition experience
This article presents the conceptual design of the recent travelling exhibition energie.wenden (literal translation: ‘turning energy around’). It uses a highly interactive and emotive approach, chosen to engage museum audiences with the pressing topic of energy transition.
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Visualising electricity demand: use and users of a 3D chart from the 1950s
A 3D chart of electricity demand in Manchester, 1951–54, is a tangible record of past practice, both of the electricity supply industry and its consumers. We offer a close inspection of the object, and generate ideas about the chart’s use and users.