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  1. by on - Obituary

    Dame Margaret Weston, DBE, FMA (7 March 1926–12 January 2021), obituary

  2. by , on - Obituary

    Frank Greenaway, who died at the age of 95 in June 2013, was a Keeper and manager at the Science Museum from the early post-war years to the era of Margaret Thatcher. He stamped his own character on the Museum and was a significant historian of chemistry and of science more broadly.

  3. by , , , , on - reflections on research

    The histories of use of the objects in museum collections, and the unrecorded skills of their operation, have posed pressing research questions for museum people and university scholars alike. This symposium drew together different perspectives on this emerging area of study.

  4. by on - Research

    The article analyses the history of the collection of Leonardo da Vinci historical models, focusing on two episodes: the 1939 Leonardo Exhibition where a first group of models was created; and the 1952 celebrations, when a new set of models was built to be displayed in the Museo Nazionale della Scienza e della Tecnica, which opened the following year.

  5. by on - Research

    An innovative storage building made from low-carbon, natural hygroscopic materials requiring minimal energy to achieve control of relative humidity to museum standards was built to house collections for the Science Museum Group.

  6. by , , , on - Research

    This paper contributes to a critical understanding of current language and discourses of participatory and co-creative practices, through a case study of a large, permanent exhibition development – the Science Museum's Information Age gallery – which opened in 2014.

  7. by , on - Research

    This research investigates how public participation in European science centres and museums is related to the emerging role of museums in science policy.

  8. by on - Research

    This article analyses the changing perceptions of European industrial museums as expressed in the reports written by the curators, directors and trustees of the New York Museum of Science and Industry between 1927 and 1937.

  9. by on - Research

    What if sounds were museum objects? Via an experimental curatorial practice, the author proposes a revised definition of the 20th century musical term ‘sound object,’ proposing it as the basis for a museological conception of sounds as heritage.

  10. by on - Research

    Glass display cases in museums get a bad rap. For anyone wanting to evoke museums as old fashioned, expert-led broadcasters or as creating ‘mausoleums’ for objects by taking them out of the ‘immediacy of life’ the glass case is the perfect scapegoat. Glass display cases are the enforcers of the injunction ‘do not touch’.

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