You are viewing:
This article discusses the provision of spectacles under the NHS scheme in Britain from 1946-86. It reveals there was no explicit consideration of consumer choice or fashion and argues that this limited design across the British optical industry.
This essay analyses representations of the ammoniaphone across nineteenth century advertising and the medical and musical press, and situates these representations within the broader Victorian fascination with the supremacy of Italian opera singers and the emergent corporeal anxieties of late nineteenth century consumer culture.
An introduction to one of the star objects in Mathematics: The Winton Gallery, an electronic storm surge modelling machine.