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This article celebrates the rediscovery of a small silver-cased clock allegedly given to Mrs Strangways Horner by Lady Archibald Hamilton on behalf of Augusta, Princess of Wales in 1740.
This in-conversation piece reveals the nature, rationale and context of the recent collaboration between film artist Bill Morrison and the Museum of Science and Industry for the exhibition Electricity: The spark of life. The development of Morrison’s art installation, Electricity, had an impact on the thinking processes and practices of both artist and curator, producing new shared interpretations of electrical energy and power.
The Panstereomachia, Madame Tussaud’s and the Heraldic Exhibition: the art and science of displaying the medieval past in nineteenth-century London
This article analyses the role of technology in shaping nineteenth-century experiences of the medieval past. Using three exhibitions as a lens – the Panstereomachia, Madame Tussaud’s and the Heraldic Exhibition – it explores how exhibitors drew on art and science to offer competing visions of the medieval past. In doing so, it will examine how these exhibitions reflect changing views about medieval history and heritage, raising questions about the relationship between technology and the display of the past.