Go back to article: Oramics to electronica: investigating lay understandings of the history of technology through a participatory project

Figure 2

Black and white photograph of Daphne Oram leaning over the Oramics Machine and drawing black lines on one of the acetate strips

© Daphne Oram Archive, Goldsmiths, University of London

Daphne Oram working at the Oramics Machine (ca. 1969); the top three films with masks of paper or tape controlled the pitch; the other films controlled the quality of the sound.

DOI: http://dx.doi.org/10.15180/140206/017