Go back to article: Oramics to electronica: investigating lay understandings of the history of technology through a participatory project

Figure 2

Black and white photograph of Daphne Oram leaning over the Oramics Machine and drawing black lines on one of the acetate strips

Daphne Oram working at the Oramics Machine (ca. 1969); the top three films with masks of paper or tape controlled the pitch; the other films controlled the quality of the sound.