RT Journal Article
T1 Location, location
A1 Elizabeth Edwards
YR 2017
VO 7
IS Spring 2017
K1 Photographs
K1  collections
K1  curatorship
K1  museology
AB 
NO Brandt worked as a photographer for the National Buildings Record, a predecessor of Historic England, during the Second World War.
NO http://www.tate.org.uk/whats-on/tate-britain/display/bp-spotlight-poor-mans-picture-gallery-victorian-art-and-stereoscopic/essay (accessed 16 December 2016)
NO http://www.khi.fi.it/en/Declaration (last accessed 12 December 2016). See also a recent development around African photograph collections ‘The Yaoundé  Declaration’: http://african-photography-initiatives.org/index.php/research/yaounde-declaration  (last accessed 12 December 2016).
NO https://theroamingeye.wordpress.com/2015/01/10/photo-news-library-of-birmingham-photography-archive-threatened-with-closure-and-staff-cuts/ ; https://www.redeye.org.uk/opinion/letter-birmingham-city-council#sthash.LdhHNzFC.dpbs (last accessed 12 December 2016)
NO http://arthistorynews.com/articles/1232_Archive_throw_out_-_questions_for_Tate (last accessed 12 December 2016)
PB The Science Museum Group
SN 2054-5770
LA eng
DO 10.15180/170709
UL http://journal.sciencemuseum.org.uk/browse/issue-07/location-location/
CR Alpers, S, 1991, ‘The Museum as a Way of Seeing’ in Karp, I and Levine, S D (eds), Exhibiting Cultures: The Poetics and Politics of Museum Display (Washington, DC: The Smithsonian Press), pp 25–32
CR Amao, Damarice, 2015, ‘To Collect and Preserve Negatives: The Eli Lotar Collection at the Centre George Pompidou’ in Edwards, E and Morton, C (eds), Photographs, Museums, Collections: between art and information (London: Bloomsbury), pp 231–245
CR Bal, Mieke, 1995, Double exposures: the subject of cultural analysis (London: Routledge)
CR Batchen, Geoff, 2004, Forget Me Not: photography and remembrance (New York: Princeton Architectural Press)
CR Bennett, T, Cameron, F, et al, 2017, Collection, Ordering, Governing: Anthropology, Museums and Liberal Government (Durham NC: Duke University Press)
CR Blouin, F X and Rosenberg, W G, 2011, Processing the Past: Contesting Authority in History and the Archives (Oxford: Oxford University Press)
CR Bowker, G C and Star, S L, 1999, Sorting things out; classification and its consequences (Cambridge MA: The MIT Press)
CR Brothman, B, 1991, ‘Orders of Value: probing the theoretical terms of archive practice’, Archivaria 32: 78–100
CR Brusius, M, 2013, ‘From Photographic Science to Scientific Photography: Talbot and Decipherment at the British Museum around 1850’ in Brusius, M, Dean, K and Ramalingam, C (eds), William Henry Fox Talbot: Beyond Photography (New Haven, CT/London: Yale University Press), pp 219–244
CR Crimp, D, 1993, On the Museum’s Ruins (Cambridge MA: The MIT Press)
CR Douglas, M, 1966, Purity and Danger: an analysis of the concepts of pollution and taboo (London: Routledge & Kegan Paul)
CR Edwards, E, (forthcoming), ‘Photography and the Business of Doing History’ in Pasternak, G (ed), The Handbook of Photography Studies (London: Bloomsbury)
CR Edwards, E, 2016, Photographs and Institutional Practices http://www.fotomuseum.ch/en/explore/still-searching/authors/29334_elizabeth_edwards (accessed 7 November 2016)
CR Edwards, E, 2012, The Camera as Historian: amateur photographers and historical imagination 1880–1918 (Durham NC: Duke University Press)
CR Edwards, E and Lien, S (eds), 2014, Uncertain Images: Museums and the work of photographs (Aldershot: Ashgate)
CR Edwards, E and Morton, C (eds), 2015, Photographs, Museums, Collections: between art and information (London: Bloomsbury)
CR Foucault, M, 1995, Archaeology of Knowledge, Sheridan-Smith, A M (trans) (London: Routledge)
CR Foucault, M, 1974, The Order of Things: an archaeology of the human sciences (London: Routledge)
CR Hamilton, C, et al, 2002, Refiguring the Archive (Cape Town, South Africa: David Philip)
CR Jordanova, L, 2011, ‘What’s in a name? Historians and Theory’, English Historical Review, CXXVI No.523: 1457-77
CR Kallinkos, J, 2006, The Consequences of information: The Institutional Implications of Technological Change (Cheltenham: Edwards Elgar Publ.)
CR Knowles, C, 2014, ‘Negative space: tracing absent images in the National Museums Scotland’s collections’ in Edwards, E and Lien, S (eds), Uncertain Images: museums and the work of photographs (Farnham: Ashgate), pp 73 –91
CR Lager Vestberg, N, 2013, ‘Ordering Searching Finding’, Journal of Visual Culture, 12(3): 472–489
CR Miller, D, 2005, ‘Materiality: An Introduction’http://www.ucl.ac.uk/anthropology/people/academic-teaching-staff/daniel-miller/mil-8/ (accessed 7 October 2016)
CR Rose, G, 2001, Visual Methodologies: An introduction to researching with visual methods (London: Sage)
CR Rose, G, 2000, ‘Practicing Photography: An Archive, a Study, Some Photographs and a Researcher’, Journal of Historical Geography 26(4): 555–71
CR Schlak, T, 2008, ‘Framing photographs, denying archives: the difficulty of focusing on archival photographs’, Archival Science 8:85–101
CR Schwartz, J M, 2011, ‘The Archival Garden: Photographic Plantings, Interpretative Choices, and Alternative Narratives’ in Cook, T and Schwartz, J M (eds), Controlling the Past: Documenting Society and Institutions (Chicago: Society of American Archivists), pp 69–110
CR Schwartz, J M, 2007, ‘Records of Simple Truth and Precision: Photography, Archive and the Illusion of Control’, in Blouin, F and Rosenberg, W, Archives, Documentation and the Institutions of Social Memory: Essays from the Sawyer Seminar (Ann Arbor: University of Michigan Press), pp 61–83
CR Sekula, A, 1992, ‘The Body and the Archive’ in Bolton, E (ed), The Contest of Meaning (Cambridge MA: The MIT Press), pp 343–389
CR Swinney, G N, 2012, ‘What Do We Know About What We Know? The museum register as museum object’ in Dudley, S (ed), The Thing About Museums (London: Routledge), pp 31–46
CR Thompson, W, 2004, Postmodernism and History (Basingstoke: Palgrave Macmillan)
CR V&A, 2016, The Camera Exposed, https://www.vam.ac.uk/exhibitions/the-camera-exposed (accessed 7 November 2016)
CR Weinberger, D, 2007, Everything is Miscellaneous: The Power of the New Digital Disorder (New York: Time Books)
CR Willumson, G, 2004, ‘Making Meaning: displaced materiality in the library and art museum’ in Edwards, E and Hart, J (eds), Photographs Objects Histories: on the materiality of the image (London: Routledge), pp 62–80
WT Science Museum Group Journal
OL 30