TY  -  JOUR
TI  -  �Everything passes, except the past�
AU  -  Donata Miller
PY  -  2019
VL  -  12
IS  -  Autumn 2019
KW  -  decolonial approaches
KW  -   museum interpretation
KW  -   Democratic Republic of the Congo
KW  -   Central Africa
KW  -   Royal Museum of Central Africa
AB  -  
N1  -  Readers might see, for example, The Master’s Tools Will Never Dismantle the Master’s House (Lourde, 2018); Decolonisation is Not a Metaphor (Tuck and Yang, 2012); Museum as Process (McCarthy, 2015); Decolonising the Museum (Wintle, 2013); Decolonizing the Smithsonian (Wintle, 2016); Museums, Heritage and Indigenous Voice (Onciul, 2015).
N1  -  For information on the display of humans in Britain, see Qureshi, S, 2011, Peoples on Parade: Exhibitions, Empire and Anthropology in Nineteenth-Century Britain (University of Chicago Press).
N1  -  For an analysis of Tintin in the Congo (translated from French) see http://usslave.blogspot.com/2011/04/tintin-in-congo-analysis.html?m=1 
N1  -  For an article regarding the early twentieth-century disconnect between the curatorial voice and the visitor experience, see Skotnes-Brown, J, From the White Man’s Grave to the White Man’s Home? Experiencing ‘Tropical Africa’ at the 1924–25 British Empire Exhibition (Science Museum Group Journal, Issue 11).
N1  -  For a definition of community of origin, see Saggar, S A, 2019, ‘Community of Origin’, Decolonial Dictionary, https://decolonialdictionary.wordpress.com/2019/06/11/community-of-origin/ (accessed 19 June 2019)
PB  -  The Science Museum Group
SN  -  2054-5770
LA  -  eng
DO  -  10.15180/191213
UR  -  http://journal.sciencemuseum.org.uk/browse/issue-12/everything-passes-except-the-past/
T2  -  Science Museum Group Journal